Potential Expressionism is a systematic training encompassing aesthetics, design, history and culture. It aims to evoke one’s latent creativity via breaking all conventional shackles to arrive at one’s own artwork. By first encouraging one to make visual marks at random, one is then directed to trace those patterns and associate them with one’s personal belief and aspiration, historical memory, aesthetical inclination, and ultimately creating one’s unique artwork.
Ordinary Members – Art related persons can apply to become regular members
Student Members – Student members – Part-time students who are enrolled in art courses and related courses, or full-time students can apply to become student members
If you have any enquiries or seek cooperation opportunities, such as membership matters, art promotion, project management and planning, exhibitions, education...etc., please feel free to contact us.
( 中國藝術品收藏與投資之一 )《第六章》
然而 , 由於港台的藝術品市場屬剛剛起步階段 , 並不成熟 , 人們的藝術品投資知識較為貧乏 , 失誤率偏高。至1991年後 , 港台中國畫投資熱漸漸降溫 , 繼而被金融、地產投資所掩蓋 。在1991至1997連續多年 , 香港金融、地產市道暢旺 , 豐厚的回報吸引了越來越多人士全情投入 , 導至投機風氣熾熱。 直至亞洲金融風暴的到來 , 接二連三的經濟挫折造成了巨大的傷害 , 人們才漸漸地冷靜下來。但在近十年間 , 中國畫市場價格不僅沒有因經濟起伏而下降 , 相反卻隨著中國大陸經濟的上升而穩步上揚 , 尤其是藝術精品 , 價格更是節節上升 , 由1991年至今 , 不管是老一代大師或中青代名家的精品價格在不知不覺中上升了近十倍 , 平均每年達20%以上的升幅 。 中國畫的流向形態亦從過去的外流形漸轉變為回流形。 如今, 隨著中國經濟發展的深化和需求的增加 ,中國藝術精品價值持續上升已屬必然之事◦
郭浩滿
